

their continual presence in his life, I actually teared up. His honesty was refreshing and his observations keen. He was a joy to listen to.
And I felt very conflicted about that. In fact, initially, I had been reticent about going to hear him at all.

The book won the National Book Award and was a Newberry Honor. It was received the Sibert Honor, the Coretta Scott King Award, and the NAACP Image Award. Woodson was later named the Poetry Foundation's Young People's Poet Laureate.
At the ceremony, Handler made a racist joke.
It wasn't an accident. It wasn't a slip of the tongue. It was the end of a Handler-esque series of sentences with a pause for effect. It was planned out. It was a racist joke. At the award ceremony where Woodson was being honored. Woodson's work was in the limelight. Her story of words and beauty and struggle and creativity was the spotlight.
And this ignoramus made a racist joke. To try to cover it, he clumsily followed up with a comment sweeping Cornel West, Toni Morrison and Barack Obama into the mess.
Handler spent months apologizing.
But how does one apologize for having a heart that tries to amuse with a racist joke? And how does one listen to such a person with respect and admiration?
What about his books? Does the fact that the author is a horrible person lesson the value of his literature?
Welcome to the slippery slope!
And welcome to the tricky, treachery of the uneven moral ground.

I can't watch Woody Allen movies, as I am so repulsed by him, yet Roman Polanski's The Pianist is a masterpiece. Both men have been accused of and been proven to have committed disgusting sexual crimes. Yet, somehow, a line is drawn.
We hear all the time about the wicked life of Lord Byron and the terrible parenting of Hemingway.

women. Yet the books have literary merit. But the rape allegations.
That feeling? That is the tenuous position we take on shaky moral ground.
What about Stephen Ambrose, whose works as a writer and an academic form an impressive body of work? Yet with the power of the internet, those works were investigated and Ambrose's sterling reputation tarnished by allegations of plagiarism.

The instances go on because, at the core is the fact that authors are people, and people are complicated.
So there I sat, in a duality of both loathing Handler's comments and being moved to tears by other comments of his.
And there I still sit. Some people have asked that all of the Cosby books be removed from libraries. Those books will be read by children!
For me, the question is less about who gets to decide and whether the life of the author weighs into whether the book has literary merit.
As unclean as it makes me feel, I think the answer is no. There are children reading the Little Bill books, seeing characters who look like them (in a publishing world of precious little diversity), represent their lives and their values. Bill Cosby's horrific actions are separate from that.
And for that reason--the separateness of the author's personal life and the value of the work--I listened to Daniel Handler. I appreciated what he had to say and enjoyed his storytelling skills. And I did all of this while firmly believing that what he said about Woodson was horrific.
Yes, it is moral shaky ground, and one day I may revise my assessment. But for today, his inexcusable actions diminish Daniel Handler, the man, not his body of work.